You would be surprised with how many people in your life could be going through depression at this very moment. People hide it like a paper bag over their heads out of fear of being judged, made fun of, seen as weak, or just not taken seriously. Depression should not be taken lightly, it holds us down from our purpose and potential in life. Those who tell you that it doesn’t exist have never experienced depression in their life, therefore not understanding the symptoms and how it’s something that cannot be fixed in a day! So if you think you are depressed or if you think you know someone else who is, please talk to a friend, a family member, or anyone else in your life that you trust - never overlook the possibility of seeing a doctor for more professional help!! Your feelings are real, your feelings are shared upon millions. Don’t hide it, talk to someone about it. With the right help, you can rediscover your confidence and begin life anew with our undying love and support!
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To lend an ear.
Shit happened to Ferguson is happening in Hong Kong right now!
Students were just protesting peacefully for genuine democracy around Admiralty and Central, yet the police forced used pepper spray, tear gas and violence to disperse the crowd. According to the protesters, the police even raided a first aid booth with pepper spray.
fun fact: Michael Cera asked Rihanna if he could slap her ass for real and she said “you can slap my ass for real if I can slap you in the face for real” and he was like alright. and they did the take like 3 times and Michael was like “you’re not hitting me hard enough do it for real” and then she slapped the fuck out of him and threw off his equilibrium so much he had to go lay down in his trailer for like half an hour lmao and that’s the take they used in the movie with no added sound effects
his head disappears omg
bless this post
Pablo Picasso draws a chicken
A scene from Henri-Georges Clouzot’s The Mystery of Picasso:
At Clouzot’s invitation, Picasso made a series of works in a studio in Nice, using ink markers designed to bleed through the surface so the strokes are visible from behind. Clouzot and his cinematographer, Claude Renoir (a nephew of the filmmaker Jean Renoir and the grandson of the painter Auguste), using a time-lapse camera, filmed from behind the easel as the artist worked on the pictures, which were destroyed at the end of production. When the film is projected, the paintings magically emerge from the void onscreen. For collages and canvases painted with standard oils, a stop-motion camera was used: the canvas was photographed from the front after each brush stroke, again giving rise to the illusion that the artwork generates itself as we watch.
The chicken painting scene from above was a last-minute addition:
”I’m enjoying this — I could keep going all night!” the painter exclaims when Clouzot asks him if he’s up for painting a quickie using the five minutes’ worth of film that remains in the camera. Thus begins the most entertaining segment of the film, in which Picasso paints a bouquet of flowers that he spontaneously reconceives first as a fish, then as a chicken, while Clouzot counts off the remaining time as if he were the announcer on an artistic version of ”Iron Chef.”